Music

Stephanie Kolari, Adults, Advocacy and Arts with Epilepsy Foundation of Minnesota

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Gearing up for a summer of great shows we heard a set of contemporary desert blues with tracks by Tinariwen and Bombino (coming to the Cedar in July) and Tamikrest (whose leader, guitarist Ousmane Ag Massa, first heard Tinariwen when he was five years old). Bill brought in some rare party music from Tanzania, Jojo shared some tracks from Kenya and Uganda, and we started off the whole thing with new music from two formidable sons of African superstars, Vieux Farka Touré and Femi Kuti.

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5/19 in a nutshell…
Counting backwards from the 3rd hour, we’ve brought back The Night Sky’s Turning Blue by Buford O’Sullivan for so long as the night sky indeed begins turning blue during the last hour of RSST. We GotchaSKAvered Phoenix City this week with the help of UK outfit The Family Circle. Women of Ska made up th 4@4, Sherwood B. Funn spun some new Mr. Ho (in which the Orchestrotica morphs from Esquivel big band into Third Stream exotica quartet to remind us all how cool Arthur Lyman still remains all these years after he began decomposing_ all this and Steve Turre, Cal Tjader and Shiina Ringo, too! In the first hour, Millie Small serenades Poor Little Willie, Raymond Harper goes on a Safari, and Bunny Skitter once again lecture a chauffeur on the evils of driving drunk. Hey, the message can’t be repeated often enough, so… DON’T DO IT! ‘Nuff said.

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“Ghetto Pocho Power featuring Rambo Salinas” We got this happy feelin on Radio Pocho tonight with the return of DJ Ren from New York. So to celebrate we drop some of our favorite cuts from NY.

We also invite Rambo Salinas of Hot Pants crew to share his favorite rolas. The next edition of Hot Pants is coming up Friday May 20th at the Nomad 9:30pm and on…

Plus the Pocho Word of the Week. Checkalo ese.

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Minneapolis Music Scene: 1975-1980, Pt II
Written & Produced by Cyn Collins

The Twin Cities has had a vibrant music scene for decades, but in the early to mid-1970s there was almost no original music being performed. Only a few bands dared to be different, and thanks to their creative diligence, the Minneapolis music scene was born.

This two-part documentary describes the Minneapolis music scene between 1975 – 1980, and features interviews and music by Curtiss A (Thumbs Up/the Spooks), Chris Osgood (the Suicide Commandos), Robert Wilkinson (the Flamin’ Oh), Chan Poling (the Suburbs), Kevin Cole (Rev 105), Peter Jesperson (Twin Tone/New West Records) and many more.

Part I explores what inspired these musicians, which bands formed, and where they ultimately performed. It also focuses on the impact of Oar Folkjokeopus, the CC Club, and Jay’s Longhorn Bar.

Part II further describes Jay’s Longhorn Bar, features music and interviews with members of the Flamin’ Ohs and the Suburbs, and explores the birth of Twin/Tone Records.

Today Minneapolis has a vibrant and sustainable music scene thanks to the efforts of musicians and music lovers who dared to be different at a time when cover bands were the norm. Meet the players, who in the mid- to late-70s, paved the way for the next generation of bands—from Husker Du to the Replacements and beyond.

Interviews & Production Assistance from:

Curtiss A. (Curt Almsted)
Dave Ahl (Suicide Commandos)
Steve Almaas (Suicide Commandos)
Lori Barbero (Babes in Toyland, DJ, booking agent, and former Jay’s Longhorn Bar staff)
Richard Champ (NNB)
Kevin Cole (Sr. program director, DJ KEXP Seattle, DJ REV 105)
Bob “Slim” Dunlap (guitarist in Thumbs Up, the Spooks, the Replacements)
Robert Henry (Fingerprints)
Peter Jesperson (Sr. vice president of A&R at New West Records, former manager of Oar Folkjokeopus, DJ at Jay’s Longhorn Bar, co-founder Twin/Tone Records)
Terry Katzman (Garage D’Or Records)
Martin Keller (journalist, author)
Chris Osgood (Suicide Commandos)
Chan Poling (The Suburbs)
Nancy Sartor (project manager & executive producer)
Paul Stark (co-founder Twin/Tone Records)
Robert Wilkinson (Prodigy and Flamin’ Oh’s)
Daniel Zamzow (production assistant)

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